Classical Voice America
The Siegmund, Guy Mannheim, displayed a youthful, room-filling sound and a nice Heldentenor ring.
Cross Over
Guy Mannheim als Siegmund durchaus ebenbürtig, der enorme Durchsetzungskraft entfaltet, aber auch in den leisen Passagen noch vielfältigste Zwischentöne unterzubringen in der Lage ist.
Guy Manning as Siegmund quite equal, unfolds the enormous penetrating force, but also in the quiet passages is still capable of accommodating a wide variety of middle notes.
Noam Ben zeev, Haarets:
Guy Mannheim who got the significant and leading role of the evening, fascinated with his dark and beautiful tenor voice, and his Orson Welles presence which has upgraded the entire production several levels higher.
Globes:
The main highlight of the opera was the singing if the tenor Guy Mannheim, who will be remembered as one of the stars if the entire evening. Over the past years Mannheim has been working abroad and has become a wonderful Wagnerian tenor. He has a rich and colorful voice, fantastic acting skills, and impressive presence. A perfect match for the role.
NRG:
Guy Mannheim was fantastic!!
Ynet:
Gladly this time the opera assigned the leading and demanding role of the Peddler in the hands of Guy Mannheim, who sang excellent, and poured into the character of the Peddler both rebelliousness and doubt, anxiety and dedication.
Guy Mannheim als kraftstrotzender Siegmund. Er hat den Atem, um den zweiten Wälse-Ruf gefühlte zehn Sekunden ohne Wackler auszuhalten, aber er kann es auch lyrisch angehen, wie in den Winterstürmen. Mit einem sehr baritonalen Timbre, aber strahlkräftigen Höhen, schont sich Mannheim zu keinem Zeitpunkt und ist auch von der Stimmanlage der ideale Partner.
Guy Mannheim as a powerful Siegmund. He has the breath to hold the second Waelse call ten seconds without wiggle, but he can also be lyric as in the winter storms. With a very baritone timbre, but radiant heights, Mannheim never spares at any time, and is also the ideal partner in the vocal level.
Backtrack
während Mannheim in erster Linie durch seinen kraftvollen Heldentenor auffiel, der ohne Mühe über das Orchester singen konnte.
While Mannheim was
first and foremost attractive by his powerful heroic tenor, who could sing
without difficulty over the orchestra.
Operapoint
Unter den Sängern zeigen sich Guy Mannheim (Siegmund) und ihrer Rolle voll gewachsen. Meisterlich, mit ungeheurer stimmlicher Präsenz und Strahlkraft singt Guy Mannheim scheinbar mühelos die Heldenpartie. Einen so wohlklingenden, souveränen Wagner-Tenor hört man selten.
Masterly, with immense vocal presence and radiance, Guy Mannheim sings effortlessly the heroic part. Such a melodic, sovereign Wagner Tenor You can hardly hear today.
MOZ
Die Solisten haben stimmlich überzeugt, allen voran Tenor Guy Mannheim
The soloists were vocally impressive, especially tenor Guy Mannheim
O. Shomroni.
“One of the three best Israeli soloists was Guy Mannheim as Dancairo, whose great perofrmance emphasised the comic character of the role.”
Sheherezade.
“The big voices were clearly heard, like the dear talented Tenor Guy Mannheim, whose deep and robust voice saved him from not being heard”
O. Shomroni.
“I have to acknowledge Guy Mannheim who sang the demanding role of Emperor Altoum. He sang with a strong and present voice and the result was very impressive.”
Eli Leon.
“Guy Mannheim and King Altoum was very good in his demanding role according to the instructions of the composer and the write in the partitura, and performed it excellently”.
Eli Leon
“Guy Mannheim as the sorcerer and the sailor became the center of attention when he was on stage. Excellent role and performance”
Sheherezade
“The Brilliance of this production was uniting the roles of the Sorcerer and the sailor, which are performed by the same singer, the amazing Guy Mannheim, who simply makes wonders of this role, as he did with all the roles he sang at the opera.”
Yon Feder
“Guy Mannheim as the sorcerer was amusing and wonderful as always, very musical”
Boost Online Media Solutions